The Book Thief companion post

I decided to make a second post for The Book Thief, as my review was taking on an extended life of it’s own and would have eventually grown beyond 3000 words.  Since a lot of what is in this post isn’t a review of the book itself, I thought it best to put the following in a companion post.

Other thoughts about and quotes from The Book Thief:

Last week’s “Booking Through Thursday” question had to do with books made into movies, including the question “What book would you NOT want to be made into a movie?”  At the time, I really didn’t have an answer for that question, but NOW I do.

I don’t ever want to see The Book Thief made into a movie.  One of the major points of beauty with this book is the writing itself.  Zusak’s poetic and illustrative narrative cannot POSSIBLY be translated to the screen.  It is the word pictures and imaginative imagery that make The Book Thief so special, and I believe that when this book is presented in an acted-out format it will simply become just another sad, hard-knock-life, World-War-Two story like so many others that line the video store’s shelves.

Sadly, it is already optioned and in the pre-production stage with a tentative release date of 2010.  *sighs and cries*   Honestly, tell me how the following passage can be “re-formatted” for the big screen:

     …For some reason, dying men always ask questions they know the answer to.  Perhaps it’s so they can die being right.

The voices suddenly all sounded the same.
     Robert Holtzapfel collapsed to his right, onto the cold and steamy ground.
     I’m sure he expected to meet me there and then.
He didn’t.
     Unfortunately for the young German, I did not take him that afternoon.  I stepped over him with the other poor souls in my arms and made my way back to the Russians.
     Back and forth, I travelled.
Disassembled men.
     It was no ski-trip, I can tell you.

     As Michael told his mother, it was three very long days later that I finally came for the soldier who left his feet behind in Stalingrad.  I showed up very much invited at the temporary hospital and flinched at the smell.
     A man with a bandaged hand was telling the mute, shock-faced soldier that he would survive.  “You’ll soon be going home,” he assured him.
     Yes, home, I thought.  For good.
     “I’ll wait for you,” he continued.  “I was going back at the end of the week, but I’ll wait.”
     In the middle of his brother’s next sentence, I gathered up the soul of Robert Holtzapfel.
     Usually, I need to exert myself, to look through the ceiling when I’m inside, but I was lucky in that particular building.  A small section of the roof had been destroyed and I could see straight up.  A metre away, Michael Holtzapfel was still talking.  I tried to ignore him by watching the hole above me.  The sky was white but deteriorating fast.  As always, it was becoming an enormous dust sheet.  Blood was bleeding through, and in patches, the clouds were dirty, like footprints in melting snow.
     Footprints? you ask.
Well, I wonder whose those could be.

     In Frau Holtzapfel’s kitchen, Liesel read.  The pages waded by unheard, and for me, when the Russian scenery fades in my eyes, the snow refuses to stop falling from the ceiling.  The kettle is covered, as is the table.  The humans, too, are wearing patches of snow, on their heads and shoulders.
     The brother shivers.
The woman weeps.
     And the girl goes on reading, for that’s why she’s there, and it feels good to be good for something in the aftermath of the snows of Stalingrad.

 –The Book Thief by Markus Zusak, pages 475-477

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When Nazi soldiers march some Jewish prisoners back to the work camp in Dachau, the “parade” makes its way through Molching.   The following quote describes this event:

On Munich Street, they watched.
     … They watched the Jews come down the road like a catalogue of colours.  That wasn’t how the book thief described them, but I can tell you that that’s exactly what they were, for many of them would die.  They would each greet me like their last true friend, with bones like smoke, and their souls trailing behind.

     When they arrived in full, the noise of their feet throbbed amongst the road.  Their eyes were enormous in their starving skulls.  And the dirt.  The dirt was moulded to them.  Their legs staggered as they were pushed by soldiers’ hands – a few wayward steps of forced running before the slow return to a malnourished walk.
     … The suffering faces of depleted men and women reached across to them, pleading not so much for help – they were beyond that – but for an explanation.  Just something to subdue this confusion.
     Their feet could barely rise above the ground.
Stars of David were plastered to their shirts, and misery was attached to them as if assigned. “Don’t forget your misery…” In some cases, it grew on them like a vine.
     At their side, the soldiers also made their way past, ordering them to hurry up and to stop moaning.  Some of those soldiers were only boys themselves.  They had the Fuhrer in their eyes.
     … Liesel was certain that these were the poorest souls alive…  Their gaunt faces were stretched with torture.  Hunger ate them as they continued forward, some of them watching the ground to avoid the people on the side of the road.  Some looked appealingly at those who had come to observe their humiliation, this prelude to their deaths.  Others pleaded for someone, anyone, to step forward and catch them in their arms.
     No-one did.
Whether they watched this parade with pride, temerity or shame, nobody came forward to interrupt it.  Not yet.
     Once in a while, a man or woman – no, they were not men and women, they were Jews – would find Liesel’s face amongst the crowd.  They would meet her with their defeat, and the book thief could only watch them back in a long, incurable moment before they were gone again.  She could only hope they could read the depth of sorrow in her face, to recognise that it was true, and not fleeting.
     … She understood that she was utterly worthless to these people.  They could not be saved, and in a few minutes, she would see what would happen to those who might try to help them.

In a small gap in the procession, there was a man, older than the others.
     He wore a beard and torn clothes.
His eyes were the colour of agony, and weightless as he was, he was too heavy for his legs to carry.

–The book Thief by Markus Zusak, pages 398-400

I particularly love the line, “His eyes were the colour of agony,” and hate to see that lost when it’s on screen. 

One line in the previous quote that I find particularly chilling is, “Some of those soldiers were only boys themselves.  They had the Fuhrer in their eyes.” 

We often consider Hitler’s greatest evil being the systematic devastation of an entire people group.  Certainly, his “final solution” that brought about the deaths of approximately 6 million Jews, what is more commonly referred to as The Holocaust, was an unimaginably horribly wicked thing.  However, not to sound dismissive, those six million people are dead and gone.  If it had ended there, it would have been an appallingly grotesque act of a fiend.

No, the greatest evil still being perpetrated by Hitler was the indoctrination of childred.  “They had the Fuhrer in their eyes.”  Those boy soldiers grew up and taught their children the doctrines of hate.  And when those children had children of their own, they too passed on the poisonous cancer of intolerance.  As terrible as these beliefs are for those to whom they are directed, the worst pain of all is inflicted on the believers themselves.  They will never know peace and love, and they will never truly experience a sense of self-acceptance.  Hate only breeds more hate.  And in this way, Hitler still lives on and continues to enslave and destroy his followers.

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The following quote describes the residents of an undamaged Himmel Street returning home after an air raid:

The only sign of war was a cloud of dust migrating from east to west.  It looked through the windows, trying to find a way inside, and as it simultaneously thickened and spread, it turned the trail of humans into apparitions.
     There were no people on the street any more.
     They were rumours carrying bags.

–The Book Thief by Markus Zusak, page 390

ARGH!  I just can’t see a movie being able to give you that.  “They were rumours carrying bags.”  They can make the set smoky, and they can have people trudge in front of the camera, but how can it ever fully express them as rumors?

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One of the stresses in the Hubermann household is that Hans isn’t a card-carrying party member.  Because he gave a Jewish shop owner back a little bit of his dignity by painting over an anti-Semitic slur on his door, Hans had never been approved membership.  Without being a member, people were reluctant to hire him as a painter.

What probably saved him was that people knew he was at least waiting for his application to be approved.  For this, he was tolerated, if not endorsed as the competent painter he was.
     Then There was his other saviour.
It was the accordion that most likely spared him from total ostracism.  Painters there were, from all over Munich, but under the brief tutorage of Erik Vandenburg and nearly two decades of his own steady practice, there was no-one in Molching who could play exactly like him.  It was a style not of perfection, but of warmth.  Even mistakes had a good feeling about them.

–The Book Thief  by Markus Zusak, page 191

Hans’ accordion had belonged to Erik Vandenburg, his friend and fellow soldier in World War I and the man who saved Hans’ life.  Hans and Erik had passed the time learning and playing the accordion, and in the years that followed Hans had developed his own special style that was much loved in his community.  Ironically, Erik Vandenburg was a Jew.

And being a Jew in Nazi Germany was the least desirable position of all, as the following quote points out:

You could argue that Liesel Meminger had it easy.  She did have it easy compared to Max Vandenburg.  Certainly, her brother practically died in her arms.  Her mother abandoned her.

But anything was better than being a Jew.

–The Book Thief by Markus Zusak, page 168

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When Liesel first comes to live with the Hubermann’s at nine years of age, she is completely illiterate.  As Hans works with her, first teaching her the alphabet then words and sentences, she begins to understand and sense the power bound within the covers of books, and books themselves become objects of priceless worth.  So, when Liesel first steps into the personal library of Mayor’s wife, she is overcome with joy at the sight of it:

“Jesus, Mary… “

She said it out loud, the words distributed into a room that was full of cold air and books.  Books everywhere!  Each wall was armed with overcrowded yet immaculate shelving.  It was barely possible to see the paintwork.  There were all different styles and sizes of lettering on the spines of the black, the red, the grey, the every-coloured books.  It was one of the most beautiful things Liesel Meminger had ever seen.

With wonder she smiled.

That such a room existed!

–The Book Thief by Markus Zusak, page 141

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The last of my little post-it flags have been removed from my book, and I’m out of quotes.  I think I can finally part with my copy of The Book Thief, it’s destined for a fellow BookMoocher, though I guarantee I will grab any… and every, in all likelihood… copy I come across in the future.  I know I will re-read this book again, and probably more than once.

The final quote I’ll end this post with is the first few lines of the book:

First the colours.
     Then the humans.
That’s usually how I see things.
     Or at least, how I try.

–The Book Thief by Markus Zusak, page 13

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The Book Thief by Markus Zusak

Title:  The Book Thief

Author:  Markus Zusak

Paperback:  354 pages

Publisher:  Transworld Publishers (div of Random House)

Publish Date:  2005

ISBN:  9780552773898

Miscellaneous: Don’t forget to check out this review’s companion post. It includes info on The Book Thief‘s future as a movie, and several quotes from the book I wasn’t able to work into this review.

On June 23, 1942, there was a group of French Jews in a German prison, on Polish soil.  The first person I took was close to the door, his mind racing, then reduced to pacing, then slowing down, slowing down…

Please believe me when I tell you that I picked up each soul that day as if it were newly born.  I even kissed a few weary, poisoned cheeks.  I listened to their last, gasping cries.  Their French words.  I watched their love-visions and freed them from their fear.

I took them all away, and if ever there was a time I needed distraction, this was it.  In complete desolation, I looked at the world above.  I watched the sky as it turned from silver to grey to the colour of rain.  Even the clouds tried to look the other way.

Sometimes, I imagined how everything appeared above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye.

They were French, they were Jews, and they were you.

–The Book Thief by Markus Zusak, page 358

I finished The Book Thief  by Markus Zasuk on Tuesday, but have not been able to stop thinking about it since.  Normally, I sit down and write the review as soon as I finish a book, then pick up the next book and move on.  However, when I read the last words of The Book Thief :

A LAST NOTE FROM YOUR NARRATOR:  I am haunted by humans.

I found myself not wanting to let the book go.  I told myself I wanted to wait to review it so it could sink in and ruminate.  I had already posted it on BookMooch figuring, like most books, I wouldn’t want to reread it, and it was mooched up right away, but now I don’t want to give it up.  I have put off starting Harry Potter and the Half-Blood Prince because I don’t want to put anything else in there ever again.  All of this is utterly baffling to me because I have never had an attachment or a reaction to any book like this.

The book itself, plot-wise and such, is easy to sum up.  It is the story of Liesel Meminger, the book thief, who comes to live the Hubermann’s at age nine as their foster daughter.  On the way to Molching, where the Hubermann’s live, Liesel’s younger brother dies and is buried in a cemetery at the next stop.  It is in this place she “steals” her first book, The Gravedigger’s Handbook, after it falls out of the pocket of the apprentice gravedigger.  As the novel progresses, Liesel makes friends with other children on Himmel (a word that means “heaven”) Street, the Hubermann’s take in and hide a Jew, and Liesel discovers the awe-inspiring private library of the mayor’s wife, from which she liberates a book now and then.  All this is told by the book’s narrator, Death.

Summarizing the book is simple.  Explaining and conveying how it effected me, the reader, is anything but.  First of all, Zusak writes with a poetic beauty that captures the way children take in the world around them.  He often crosses the communication of the five senses:

At times, in that basement, she woke up tasting the sound of the accordion in her hears.  She could feel the sweet burn of champagne on her tongue. -p. 365

One line I remember but was unable to find said something like “The smell of the sound of my footsteps,”   and there are so many more lines like these in the book.

Another concept Zusak descriptively conveys is the power of words.</p>

Once, words had rendered Liesel useless, but now, when she sat on the floor, with the mayor’s wife at her husband’s desk, she felt an innate sense of power.  It happened every time she deciphered a new word or pieced together a sentence. -p. 154

She couldn’t tell exactly where the words came from.  What mattered was that they reached her.  They arrived and kneeled next to the bed. -p. 246

After a miscarriaged pause, the mayor’s wife edged forward and picked up the book.  She was battered and beaten up, and not from smiling this time.  Liesel could see it on her face.  Blood leaked from her nose and licked at her lips.  Her eyes had blackened.  Cuts had opened up and a series of wounds were rising to the surface of her skin.  All from words.  From Liesel’s words. -p. 273

Yes, the Fuhrer decided that he would rule the world with words. “I will never fire a gun,” he said.  “I will not have to…”  His first plan of attack was to plant the words in as many areas of his homeland as possible…  He watched them grow, until eventually, great forests of words had risen throughout Germany.  It was a nation of Farmed thoughts. -p. 451

Frighteningly, it was exactly through the power of words and a healthy dose of charisma that Hitler was able to accomplish all the evil that was done in his name.  He himself didn’t do the physical work, that would have required him to be in several places at once making that impossible, but through the words of his speeches and policies others took up his cause.  Even more frightening is that his words are still used and followed to this day by some.

Also, through the use of Death, the ultimate impartial onlooker, as narrator Zusak is able to make epiphanic observations about human beings:

In years to come, he would be a giver of bread, not a stealer – proof again of the contradictory human being.  So much good, so much evil.  Just add water. -p. 171

I’ve seen so many young men over the years who think they’re running at other young men.  They are not.  They’re running at me. -p. 182

Death also points out that, beginning with houses of cards and sandcastles, humans “watch everything that was so carefully planned collapse and… smile at the beauty of destruction.”  And he states a couple of times that the human child is much cannier than the adult.

By far, however, the most important observation Death makes, the concept that sets the tenor of the entire book is this:

AN OBSERVATION
A pair of train guards.
A pair of gravediggers.
When it came down to it, one
of them called the shots. The
other did what he was told.The
question is, what if the
other is a lot more than one?
-p. 30

What happens when there are a lot more people who simply do as there told, without question?  What happens to a society when a madman can rule through eloquent speeches, expressing ideals of hatred, and inspiring others to carry out morally reprehensible acts of violence and wickedness?

The Book Thief by Markus Zasuk is haunting and breath-taking, poetically beautiful and filled with truth.  Death often expresses sardonic, almost bitter, statements of irony, all the while telling the reader he is impartial.  He points out both the evil and the good of humans, expresses both disappointment and admiration of the species among whom he walks and collects.  It is a Homeric work that is full of joy and sorrow, anger and forgiveness, love and loss.  It is the story of a handful of people in Nazi Germany during 1939-1945; adults, children, Catholic, Nazi, and Jew, the “free” (was anyone truly free then?) and the hidden, the epitome of the “master race” and the persecuted and annihilated.

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If you’ll take a look to the right, you’ll notice I’ve added a new widget in the sidebar labelled “Mt. TBR Hall of Fame.”  This is my Top 10 favorite books of all-time.  This, honestly, is an imprecise feat, as I know I’ll think of a book that I liked better but forgot, or I’ll read a book that will replace a book on here, and that is okay because I can always edit it.  When I added the widget, I was in the middle of reading The Book Thief, but it had already impressed me enough to be listed in 6th place… and I hadn’t even finished it yet.  And after finishing it and digesting it and writing this review, it has moved up to first place.

Obviously, as The Book Thief by Markus Zasuk is now my all-time favorite book, I give it 5 out of 5 stars.  It should be included in school curriculum alongside The Diary of Anne Frank and Elie Wiesel’s Night.  The Book Thief has both historicity and literary eloquence, and will undoubtedly become a classic.

 

Again, don’t forget to check out this review’s companion post.

TSS – Mummies, Mishka, and More!

Wow! What a week! It’s Sunday already and I don’t know where the week went! I only read one adult book and on children’s book, but I’m okay with that. I gave away $50 in Borders gift cards, announced a giveaway for a signed copy of Mishka: An Adoption Tale, I helped capture a dangerous sociopath, and more.

This week was the last week for Maggie’s summer school classes. One of her classes was a drama class which held their performances on Wednesday and Thursday. Sammi and I went on Wednesday, and were the only family audience that day, then I took my little actress out for a fish sandwich at Burger King afterwards. Then I went to sign Gwen, my 14-year-old, and Mags up for school. Meg’s happy because she’s got a sweet teacher and all her friends (and none of her enemies) are in her class this year. Sammi’s in 10th grade this year, and high school registration is on Tuesday.

I thought I was excited and ready for them to go back to school… until I went clothes and supplies shopping. YIKES! Three outfits a piece totalled $270. Supplies, backpack, unmentionables for growing girls, and a Hannah Montana outfit I promised to get Mags two weeks ago added up to another $260 at Wal-mart.  We might have to cut back to one meal a day, but at least they’ll look great when they go back to school 😉

Thursday was the last day of the giveaway contest. So Friday I ran the numbers through Research Randomizer and posted the winners: M, The True Confessions of a Book Lover Named M, won the $20 Borders gift card and a bonus gift, then Jessica and Dawn, She Is Too Fond of Books…, won the $10 cards, and Suey, It’s All About Books, and Judy Brittle won the $5 cards. I still haven’t heard from Jessica or Judy Brittle and if they don’t email me their address by 3 pm today, then I will draw two new names for their $10 and $5 cards.

Friday night, while y’all were fighting in line for Breaking Dawn, I haven’t read any off them and have a copy of BD on hold, we went to the movie theater to see the new Mummy movie.

It was an incredible movie. It has something for everyone (except small children I suppose), mummies, dragons, Yetis (is that the right word for more than one Yeti? or is it like the word “fish”), new love, reclaimed love, animal love (yeah, but is strictly platonic), action, battle, immortals and Shangri La. The kids came home and immediately put the first Mummy movie in the DVD player, and they’ve been flipping back and forth between one and two. I want to see this one again!

THE MOST IMPORTANT THING THIS WEEK, blogwise that is. Seriously, I can’t say this enough, Mishka: An Adoption Tale is an exceptionally good book. Not only is the book a really wonderful and heartwarming book, but for each book that’s sold, and any other DRT Press book, 5% of the profit is donated to charities that help orphaned children in the EE and Russia. How can you go wrong with that? You get a great book to keep, AND the knowledge you are helping a child, who has no one, eat or get a new pair of shoes. It’s win-win!
Don’t forget to check out my Interview with Adrienne Ehlert Bashista and be sure to enter to win a signed copy of Mishka!

OH, and by the way… tell me what you think of my new look!  I’ve added a “Quote of the Day” to my sidebar, as well as rearranging the widgets (thanks readerville for the text box trick!)

Mishka Book Giveaway!

Mishka: An Adoption Tale by Adrienne Ehlert Bashista is a beautifully illustrated and wonderfully written book about Mo the bear’s journey finding a family and home. It’s a great story for all children and perfect for opening the discussion of adoption. In the tradition of The Velveteen Rabbit, this emotionally touching story is written from the point of view of a stuffed bear.

I am giving away a beautiful, brand-new! copy of Mishka: An Adoption Tale. It has been signed by Bashista. Maggie and I reviewed Mishka (click here for the review), and I interviewed Mishka‘s author Adrienne Ehlert Bashista.

So here are the rules:
1. Post a comment here for your entry. (I will save comment information from this post for contact info, if you’re not entered here, then you’re not entered.)
2. Post this giveaway on your blog, then let me know, for two extra entries.
3. Post a comment on the review for another entry.
4. Post a comment on my interviewwith Bashista for another entry.
5. Doing all four will get you two more entries, for a total of seven chances to win.

This contest is open until Saturday, August 9th.  I will announce the winner in my Sunday Salon post on the 10th.   So get busy and enter already!

Mishka: An Adoption Tale by Adrienne Ehlert Bashista

Title: Mishka: An Adoption Tale
Author: Adrienne Ehlert Bashista
Illustrator: Miranda R. Mueller
Hardcover: 32 pages
Publisher: DRT Press
Publish Date: 2007
ISBN: 9781933084015

Mo sat high on a shelf in an airport gift shop.
Every day he watched as people rushed by. He wondered where they were going, and what they were like. Often, he’d see a mother and a father and some children and he’d long for them to come into the shop and buy him, but no one ever did.
More than anything, Mo wanted a family. He wanted a home.

Mo’s feelings echo those of any child living in an orphanage, watching people and families going about their own busy lives. When Mo finds himself in the company of a man and a woman, he wonders where they’re going. When they land in Russia, he asks if it’s their home. And at the orphanage, he wonders who they are seeing. Throughout the whole book, it’s Mo’s uncertainty that we hear, which of course reflects the child’s feelings.

It is for these children Bashista has written Mishka: An Adoption Tale. This is quite a beautiful book, both the detailed illustrations and the story are captivating and heartwarming. Mishka walks the reader through the process: the initial visit between prospective parents and child, then claiming the child and getting the paperwork in order, and finally the going home. However, it’s not an “instructional” or even a chronicle of events, instead it’s written from the point of view of Mo the bear who is the thread that connects the couple and the child throughout the story.

I really enjoyed this book, and I’ve read it three or four times already. I just can’t stop smiling whenever I look through it. Mo the bear’s body language and facial expressions change on each page, expressing the feelings of the moment. He is the ball in the game of catch, and he is the comfort object during the couple’s absence.

Maggie’s review:

I really loved this book. I liked Mo the bear and want one of my own. They should make a Mo to sell with the book so I can hold him while we read the book. My favorite part is when the man and the boy play catch with Mo as the ball. I think this book is so sweet! And I love the drawings, they’re pretty. The book has two stories in it. One story is about the little boy’s adoption. The other story is about Mo the bear getting a family and a home. I thought the part at the beginning when he’s on the shelf and nobody wants to buy him is sad, but if somebody had bought him then he wouldn’t have been Yuri’s Mishka. This book is for children in Russia who are getting adopted. I give this book 100 stars out of 5 stars. I really really liked it!

Mishka: An Adoption Tale is a perfect book for a classroom reading time book for ages 4 through 8 (though, Maggie’s 9 and loved it, too). It’s a wonderful conversation-starter and I found myself, quite unexpectedly, telling Maggie about how I had considered giving her up for adoption while I was pregnant with her. We talked about that for a while, as I explained to her that I had thought of it because I had wanted her to have the best life possible. I couldn’t do it, obviously, and I’m very glad I didn’t. I think the process makes her special to me because I chose to keep her. And I think adopted children are loved with that same special love because they were also chosen.

The ability of a book to draw out discussions of more difficult subjects without effort is a characteristic of an exceptional book, as is the ability to carry the reader along without the reader seeing the process, and Mishka does this.

I give Mishka: An Adoption Tale by Adrienne Ehlert Bashista five out of five stars. 😀

Don’t forget to enter to win a signed copy of Mishka: An Adoption Tale!

One More Year by Sana Krasikov

Title:  One More Year
Autor: Sana Krasikov
Pages: 196
Publisher: Spiegel & Grau (a division of Random House, Inc.)
Publish Date: August 2008
ISBN: 9780385524391

She was tired, tired of waiting for some big event to happen in her life, while things only dragged on and on… Everything in her life was about waiting.

-Better Half, p 91

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One More Yearis a collection of eight short stories by Sana Krasikov. It is a lopsided effort. A couple of the stories are brilliant, one is a one of the worst things I’ve read lately, and the rest are, mneh.

Unfortunately, the first story in this book, Companion, is about a Russian divorcee named Ilona. She lives in an apartment with Earl Brauer and their relationship is never clear. Is she the live-in nurse? Is she just a friend and roommate? It is a confusing arrangement, and the only thing I am certain of is that Ilona is a self-centered twit who isn’t worth my time to read about. Earl isn’t much better, but at least I can understand a feel a slight twinge of sympathy. He’s lonely and she’s a user, but where he also loses me is that he’s manipulative. This story was so bad, I would have pitched the book had it not been an ARC to review. 0 stars for this one.

The two stories that I felt were brilliantly written and had great character development were Asal and The Repatriates. Asal is the story of Gulia, the unofficial wife of Rashid, who was previously married to a druggie wife-beater with an overbearing mother. She wants Rashid to divorce his legal wife so they can marry, just like he promised. When he won’t do this, she leaves for America to let him stew in his juices. When the call finally comes that he’s going through with it, Gulia’s joy is short lived. (4 out of 5 stars)

It wasn’t despair that had made Nasrin do it, she thought, it was simple vengeance. How did one compete with insanity, she wondered.

-Asal, page 65

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One thing that I liked about The Repatriates is that it shows the occasional immigrant who, upon coming to the US, believes their homeland is the best in the world. I’ve known several Vietnamese who talk this way, and have a Cuban friend who is always on about the marvelous things communism has done for his country. But they always do this with their feet planted firmly on the green grass of a free country, which always irks me.

The first line of The Repatriates tells it all:

The last days of Grisha and Lera Arsenyev’s marriage might have been a story fashioned out of commonplace warnings.

It’s the story of religious fanaticism, delusions of grandeur and trickery, and what it’s like to wake up and realized you’ve been duped by someone who was supposed to love and honor you. (4 out of five stars)

The rest of the stories are mostly just okay. Some are better than others, but nothing I’d buy a book for.

Maia in Yonkers: Maia came to New York City to work for more money than she could make back in the Ukraine. She flies her teenage son to visit her, and he proves that Americans don’t have the corner market on surly teens. (2.5 stars)
Debt: Seems to be about my relatives… Lev and his wife receive an unexpected visit from his niece and her husband. But, like my relatives, she’s come to ask for money. AND like my relatives, if he tells her no, she’ll write him off as a selfish money-hoarder. (2 stars)
Better Half: After staying in America, Anya marries Ryan who turns out to be a pot-smoking dreamer who’s abusive and paranoid-jealous. He hides her paperwork she needs to get her permanent alien status, among other butthole things, and yet… ugh, I wanted to slap her. (3 stars, maybe 3.5)
The Alternate: A man seizes the opportunity to have dinner with the daughter of his old college sweetheart with the hope of an affair. Mneh… (1 star)
There Will Be No Fourth Rome: Another stupid woman putting her freedom on the line for her boyfriend. DUH! Nona says it best in this story, “Don’t you just wish you could kill people lie that with your thoughts?” You see, that’s why I choose to stay single.(3 stars)

This book could be renamed “Women Waiting Around for Their Boyfriends to Divorce Their Wives”. The title “One More Year” comes from the second story; Maia tells her son she’s staying in America for one more year, to which he reminds her she said that last year.

What this book does well is present a picture of Georgia and Moscow the west has not seen. A world of dower-faced, bitter people who are only after what they can graft and out-right steal from anyone, even their friends and family… especially their friends and family. I suppose, if this is a true portrait, it is a mentality born from so much poverty and oppression. Even after they leave the old country and set up in America, they bring the same mindsets with them. In this, Krasikov’s characters are real and imperfect, even if they are loathsome.

However, I think Krasikov tries to put too many characters in her stories, making it impossible to develop them properly. It’s possible they’d make better novels. Another problem I had with this book is I found several parts confusing; places I wasn’t sure who was saying what or what was even going on. There were several times I came jerking to a stop over punctuation, sometimes too much and others not enough. One of those times was a sentence with a comma that tore up the effectiveness of the thought. I read and reread it, trying to figure out what she had meant to say, finally saying, “I hate that sentence” before moving on. I think the fact that the first story was so bad the rest of the book was tainted by that.

For much of this book, I can’t help but think One More Year is the kind of commercialized book Nam Le wrote about in The Boat‘s first story: Ethnic lit for ethnic sake, not for the quality of the writing. “She’s from the Ukraine! Buy her book!” Oddly enough, like Nam Le, she’s a Iowa Workshop writer. Hmm… maybe the fellow student in “Love and Honor” wasn’t from China after all.

After totalling up all the stars and dividing by 8, One More Yearreceives an overall 2.5 stars. Mneh.